Legendary Serbian actress Tanja Bošković says she has never belonged to clans, parties, or closed circles — and never wanted to. Instead, she feels connected to people with whom she shares a common language of the soul, regardless of whether that language is English, French, Italian, or any other.
“I am
not a member of any political party. I am tied to people with whom I speak a
common language, no matter what language that is,” Bošković said in an
extensive interview for Glas Srpske. “I even dream of going somewhere one day
where I don’t know the language at all, just to see how far my soul can
stretch.”
In a
wide-ranging conversation, the acclaimed actress reflected on the state of
theatre and film today, the lives of actors, nostalgia, artistic values,
friendship, and the importance of remaining a true artistic community beyond
politics and borders.
Theatre
Today: “At a Crossroads”
Having
spent decades on the stage, Bošković believes contemporary theatre is currently
“at a crossroads.” She admits that much of today’s dramatic writing does not
speak to her personally.
“I
belong to the last century when it comes to dramatic literature,” she said,
adding that modern theatre likely communicates more with younger audiences.
Still, she highlighted several productions that deeply moved her, including The
Glow of the Stars on the Ceiling from Belgrade’s Duško Radović Children’s
Theatre, as well as Kontramundum by the Tivat Theatre, directed by Veljko
Mićunović.
She
emphasized the importance of festivals, which allow audiences to see
productions from across the former Yugoslav region, calling them a valuable
opportunity to experience theatre without borders.
Friendship
Above Politics
Reflecting
on relationships formed during Yugoslav times, Bošković stressed that true
friendships cannot be destroyed by politics or geography.
“The
only real value in life is friendship. Everything else is irrelevant,” she
said. “No fame, no money, no political system can break that.”
According
to her, actors form a kind of global family, bound together regardless of
language or country. “Art allows us to remain a community even after we leave
this world,” she noted. “What remains behind us is something divine.”
A
Simple, Fulfilled Life
Bošković
described her life today as modest, peaceful, and deeply fulfilling. While
acknowledging that technological progress has made access to information easier
for artists, she regrets that profit has become more important than artistic
depth.
“I
live normally, like any ordinary person, and I am fine,” she said. “I don’t
need luxury or branded clothes to feel successful.”
She
finds happiness in travel, books, theatre, helping others when she can, and
spending time with her family. “My children are healthy, I am a grandmother, my
mother is still alive, and I have friends I’ve had for 65 years. I am a rich
woman.”
Roles,
Texts, and Young Actors
When
asked about her favorite roles, Bošković avoided naming a single one,
explaining that the true value of her career lies in the friendships formed
along the way. She also expressed concern over the quality of contemporary
texts, which she finds less engaging, though she believes this generational
shift has always existed.
As for
young actors, she praised their talent and dedication but noted that they often
lack sufficiently challenging material. She encourages them to constantly test
their limits and aim higher than they believe possible.
Impressed
by Sarajevo Festival
Bošković
recently participated in the International Festival of Small Stages and
Monodrama in East Sarajevo, which left a strong impression on her.
“I was
thrilled and fascinated,” she said, praising the selection and organization.
“Festivals like this offer a rare chance to see exceptional performances in one
place.”
For
Tanja Bošković, art, friendship, and spiritual connection remain the pillars of
a meaningful life — values she believes no political system can ever erase.